Indie Publishing and Quitting

Some interesting articles today.

Author Natalie Whipple wrote an charming "apology" blog to indie authors here.

You're probably thinking these apologies have everything to do with the fact that I am working to self-publish a novel right now—you would be entirely correct and I'm okay with admitting that. Sometimes you have to step into the same shoes to really get it, and I can assure you I'm beginning to see both sides so much more clearly. 

The judging, I can already see it happening to me. I admit I thought because of my traditionally published books that I would be spared a little, but I'm starting to understand that is not the case. It's been a big lesson to me. A humbling one.

She says more--good stuff and I suggest you read her entire post--and she hits the nail on the head. I've been traditionally published and, now that my publisher has closed their doors, I'm branching off on my own. It carries a lot more pressure.

Source: PowerPoint

On another note, Author Kristen Lamb wrote an entertaining blog post: Want More Writing Success? Learn to be a QUITTER.

Learn to Quit from the Best
Most of us are lousy at knowing how and when to quit. This is one of the reasons it is a good idea to surround ourselves with successful people, because successful people are expert quitters. When I started out, I had all the wrong mentors. I had writer pals who quit writing when it was boring or who quit querying after a handful of rejections. They quit attending critique because they got their feelings hurt when people didn't rave their book was the best thing since kitten calendars. 

All this wrong kind of quitting is easy to fall into. Excuses are free, but they cost us everything.

 and later...

Artists Actually Need More Quitting
Quit your day job. Today. This moment. Now, by quitting, I don’t mean you should throw your laptop in a waste can and take a bat to that copy machine that’s eaten every presentation you’ve tried to photocopy since the day you were hired….though that might be fun.

No, I mean mentally QUIT, then hire yourself to the dream. Screw aspiring. Aspiring is for pansies. It takes guts to be a writer. It takes guts to be any kind of creative professional. Hire yourself to the job you dream about. TODAY.

She gives some great, specific examples of quitting. They weren't what I expected but made perfect sense. Check them out.

Are you a quitter? Of the right things? What are those things for you?

LTUE

So, things are nuts, and I'm sick. This post will just have some pictures from the event. I took tons of notes and will rehash some of that information in subsequent posts.

Panel on Marketing

Authors Bree Despain, Lynn Hardy, Jenn Johansson, and Elana Johnson

Panel on Queries and Pitches

Lisa Mangum (author and acquisitions editor), Chris Schoebinger (Shadow Mountain), J Scott Savage (author), Kirk Lovell Shaw (Covenant Publishing), Donna Milakovic (moderator)

Panel on Making a Book Trailer

Heather Monson, Angela Corbett, Paul Genesse, Lani Woodland, Dan Wells

Author Michael Young on Avoiding Cliche

Author Andrea Pearson on Indie Publishing

Writing Excuses

Howard Tayler, Dan Wells, Larry Correia, Brandon's brother Jordy, Mary Robinette Kowal, Brandon Sanderson

Panel on Why We Love Horror

Nathan Shumate, Michael Brent Collings, Michael Collings, Robin Weeks (moderator), Jenn Johansson

Panel on What I Wish I'd Done Differently

Mette Ivie Harrison, Author Andrea Pearson, Brad R. Torgersen and Elana Johnson.

Panel on Plots, Subplots, and Foreshadowing

Brandon Sanderson, Stacy Whitman (editor), James A. Owen, J Scott Savage and Bree Despain

Panel on Urban Fantasy

Natalie Whipple, Bree Despain, Kasie West and James Dashner

Lotsa Peeps

Elizabeth Mueller, ?, Kasie West

The Schmidts

Leigh Covington, Brenda Sills, Me

Melony Pulley, Kenzie Pulley, Amy White, Me, Stephanie Kelly

Lotsa People

Peggy Eddleton, Leigh Covington, David Powers King

Heather Cole, Betsy Love, Theresa Sneed, Kari Pike

There were tons more classes and people. These were just a few of the ones I was able to attend or connect with.

Why I Write

I'm reprinting a post I did nearly a year ago because it talks about why I write (with some updated editorial comments in brackets). With the new year starting and 2012 being a year I'm actually going to put myself out there, I needed this reminder.

First off, I'm not looking for a new career. I have one that I like just fine, and I'll retire in ten years anyway. I'm learning to write because I want to learn to write. And not just business letters or minutes (booooring!).

I want to be published as a kind of validation for having reached a certain level, being good enough. Graduating, if you will.[However, I also realize I'm getting a pretty late start to this and traditional publishing may not work for me, so I'm preparing for the possibility of self-publishing.]

I'm getting older, and I love to learn new things. I don't want to be one of those senior citizens who sees the world through a very narrow filter, unwilling to consider new things. I want to always be teachable. I want to be creative and make something that brings me (and hopefully others) pleasure.

I've worried that as I've been spending hours and hours on it (not just on the writing itself, but on reading blogs about writing by authors or aspiring authors, listening to podcasts about writing, reading articles about things writers should and shouldn't do, attending writing conferences, etc.), that it's taking over my life.

And for what?

I'm very much a person who needs to have something to show for the time I've spent working on it. Even if it's just for me.

So it was interesting today to read a blog post by a guest writer for Natalie Whipple. Adam Heine talks here about a writer's education. He hits the nail on the head. I especially love this part:

... But what kind of job demands years of uncompensated service before giving you even a chance at wages?

All of them, it turns out. It's called college.

College is 4+ years of work that pays nothing and (these days) doesn't even guarantee a job at the end. That's exactly what we're doing when we sit at our computer, typing a story nobody may ever buy.

It's better than college, because it's free. Better because it's easier to hold a job while writing than studying. Better because if we don't get a job with our first degree (i.e. novel), we can write another and learn more...

So long as you live life, working to get published is as valid an education as any other.

Keep writing. It's your education.

Nice, Adam. Well said.

So, why do you write?

This Writing Thing - Is it a Waste of Time?

First off, I'm not looking for a new career. I have one that I like just fine, and I'll retire in ten years anyway. I'm learning to write because I want to learn to write. And not just business letters or minutes (booooring!).

I want to be published as a kind of validation for having reached a certain level, being good enough. Graduating, if you will.

I'm getting older, and I love to learn new things. I don't want to be one of those senior citizens who sees the world through a very narrow filter, unwilling to consider new things. I want to always be teachable. I want to be creative and make something that brings me (and hopefully others) pleasure.

I've worried that as I've been spending hours and hours on it (not just on the writing itself, but on reading blogs about writing by authors or aspiring authors, listening to podcasts about writing, reading articles about things writers should and shouldn't do, attending writing conferences, etc.), that it's taking over my life.

And for what?

I'm very much a person who needs to have something to show for the time I've spent working on it. Even if it's just for me.

So it was interesting today to read a blog post by a guest writer for Natalie Whipple. Adam Heine talks here about a writer's education. He hits the nail on the head. I especially love this part:

... But what kind of job demands years of uncompensated service before giving you even a chance at wages?

All of them, it turns out. It's called college.

College is 4+ years of work that pays nothing and (these days) doesn't even guarantee a job at the end. That's exactly what we're doing when we sit at our computer, typing a story nobody may ever buy.

It's better than college, because it's free. Better because it's easier to hold a job while writing than studying. Better because if we don't get a job with our first degree (i.e. novel), we can write another and learn more...

So long as you live life, working to get published is as valid an education as any other.

Keep writing. It's your education.

Nice, Adam. Well said.