UVU Book Academy Report ... And Queries

My very first writing conference was the UVU Book Academy in 2010. It's a one-day conference held at the local university. I thought it was an amazing event then because I had nothing to compare it to. I was also extremely new and raw to this writing thing. I'd completed one book (and was editing it) and had written 50,000 words of a new project (something I'm dying to get back to).

It was a very different experience this year because I knew people, and I actually understood some of what they were talking about. I even knew more about some stuff than other people there.

Scary. I mean, really. Me? Knowing more than someone else? But it showed me how much I've learned in the last last year. Sometimes those little advancements we make are slow enough we don't notice them.

I got some pictures with people whose blogs I follow.

David Powers King (click here for his blog)

Brenda Sills (click here for her blog)

Michelle Teacress (click here for her blog)

I got to touch base with a wonderful lady I met last year, who's toying with the idea of writing a nonfiction book but hasn't taken the plunge yet. And I connected with two awesome ladies who are members of my League of Utah Writers chapter and my ANWA group--Canda Mortensen and Deanna Henderson. They are a mother/daughter writing team (how fun is that?), and with another author, Cindy Hogan, they've started a writing network called iWriteNetwork. You can check it out here.

Dan Wells, one of my favorite authors, was the Keynote Speaker. You might recognize him from his I Am Not a Serial Killer series (which I reviewed here). Dan also cohosts Writing Excuses (with Brandon Sanderson, Howard Tayler, and Mary Robinette Kowal). Dan's funny and addressed a question he gets a lot from people. "Where do you get your ideas from?"

Quote of the day: 

"It is not about ideas; it's about turning ideas into stories.

~Dan Wells

 Dan then went on to demonstrate how ideas are all around us, from news stories to politics to science to casual observation of the people around us. He had people suggest a simple statement and then go on to see how that could be developed by asking questions. Some of the suggestions were funny, but Dan made them hilarious. There were some with real story potential.

Queries

I'm in the process of writing (and rewriting, and rewriting, and rewriting) my very first query. I've done a ton of query writing research and have had several people look at it and will take it to my live critique group on Saturday. It's been quite the experience. It still needs work, but I've made progress, which I find encouraging. Because of this I was particularly interested the the following class today.

Kirk Shaw, a senior editor at Covenant Communications, and Lisa Mangum, author and editor for Deseret Book, presented a class on "Writing Killer Query Letters", which they renamed "Writing Nondreary Query Letters."

Prequery Research

• Read your genre
• Try and find a publisher or agent who already represents books you like to read
• Find out what the publisher's or agent's expections are
• Follow agents blogs who review queries
• Pay attention online to input on how agents/publishers treat their writers. No relationship is perfect, but be cautious about jumping in where the fit doesn't work
• Check page length / word count requirements

Placing Your Story

• Set the genre
• Compare to similar books either in style, voice, or theme where it applies. Don't make it up if there isn't a similarity.

Tone

• Be professional. You can decide to treat it as a business contract proposal (which it really is) or you can try and capture the tone from your book. 
• Get into a simple review of the story

Hook (Lisa took this from a class author Scott Savage taught)

• Who it is about
• What the goal is
• What the obstacle is
• What are the consequences / cost of failure

A great place to see how well hooks can be done is to read the dust jacket of books.

Summary

This should lead them to want to keep reading.

References / Credentials

• Why should they invest in you as a brand?
• Are you a serious writer? What have you done to prove that? Are you already published? Do you attend writers conferences or belong to writers groups to further your knowledge of the craft?
• Can they trust you to be a partner in the publishing process?
• You may share other projects you're working on, even if they aren't finished.
• If it's a series or has series potential, this is where you'd mention that.

They suggested writing your back copy and then writing the book. You can then go back and see if you met your goals and rewrite the back copy.

From the rest of the conference, I came away with lots to think about, especially as I begin the plotting process for my NaNo project.

Have you written a query letter yet?

If not, do you have any plans for when you do?

If you have, do you have any suggestions for us noobs?